Maike Zazie Matern is a pianist
and a composer. Holder of a Magistra artium degree
in literature with highest honors from both Humboldt Universität
and Freie Universität of Berlin, she has also studied in Tübingen
and Uppsala, Sweden. Influenced by her passion for both music and
literature she operates in the crossroads of the two arts, her
medium being a type of sonic literature in both form and content:
She composes pieces of music as she puts stories down on paper;
she chooses notes as carefully as she chooses words. For her,
writing music is storytelling and creating poetic sound essays.
Her music moves in the border area between music and experimental
radio play.
The newest studio album Seismopsychollage is as a whole
not a collection of single independent songs and melodies, not
just music. The album is even more intended to be received as an
emotional journey, an experimental self-psychoanalysis in the
field of art.
Maike Zazie's former academic focus - relations between
psychoanalysis and literature - constitutes her new artistic work:
The poetic sound essay Seismopsychollage is about inner
'earthquakes' triggered by personal and interpersonal conflicts
and about searching for their 'hypocenters'. It's about an inner
child, about fear and hope, melancholy and about longing that
makes people strive forward, but whose utopian goal always remains
unattainable.
The emotional analysis is based on fragments of Maike Zazie's own
texts and those of others: A collage of diary notes, letters, her
own poems and prose fragments as well as passages from literature
and science presented by different voices creates a dialogue
between the self and the outside world.
And likewise for the listener, these text fragments create an open
and free universe of thoughts and ideas in which the listener can
find himself again and create his own world.
Voices by:
Vincent Baars, Pierre Martinerie, Luca Elder, Yasmene Elsner,
Ivana Folkenfolk, Carlo Garré, Simon Ralph Goff, Mitchell
Hawke, Janna Horstmann, Torben Kjærgaard, Marcus Köhler,
Andrea Lacroix, Daniel Meyer, Robert Oeser, Lisa Rilka, Reza
Saleh, Daniel Sus, Stas Werno.
Texts among others by: Paul Auster, Paolo Cognetti, Philippe
Djian, Michael Ende, Per Olov Enquist, Erich Fromm, Marlen
Haushofer, Siri Hustvedt, Peter Høeg, Nicole Krauss, Plato,
Arthur Schopenhauer, Edith Södergran.
The
palimpsest of a living space: An acoustic radioscopy.
Raum ohne Zeit ("Space without time") is Maike Zazie's
first musical radio play or experimental voice theatre, released
on her debut album Regen:tropfen.
The piece tells the everyday story of various people who have all
inhabited the same living space over the decades. They have
laughed in it, loved each other, cried, hated each other and each
sought their own way through it. An eternal cycle of life.
The music attempts to capture the space, but above all to capture
the feelings that were lived through here, just as quietly and
dreamily as excitedly, and also marks the finiteness and
endlessness of life. The music is accompanied by sounds and
voices. The words are fragments of everyday conversations that
still hang and echo in the space - some softly, some more
strongly. Noises create the soundscape of the background.
Voices by: Irmgard Adam, Jörg Albrecht, Katharina Bohnert, Anvar
Cukoski, Nina Alice Dannenhauer, Jutta und Ria Frischknecht,
Herbert Gustavus, Leo und Sabine Hanstein, Leonie Hubal, Marco
Huwe, Christoph Glaubacker, Matthias Grübel, Monika Kijas, Maike
Zazie Matern, Wilma Renfordt, Jule Rothe, Wiebke Schuirman,
Thomas Speth
An open field is a short
piece of sound for one person, sex instruments and a bird.
Inspired by Peter Broderick's project Numbers Maike
Zazie's sound poem and sonic collage An open field is an
experiment about possibilities and freedom in re-reading and
new-understanding of text, picture and sound following the idea of
deconstruction.
A play with meaning.
An open field.
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Von drei Katzen und der Eule
was released on the second album Fragmente.
Not an experimental piece of voice theatre though Von
drei Katzen und der Eule is not a 'song'. Its aim is
storytelling. The love story that the whole album Fragmente
is about is told here as a fable.